Alexandre Sylvestre



Alexandre Sylvestre


Canadian Citizenship

A native of Québec, Alexandre Sylvestre studied at the Conservatoire de musique de Montréal where he was awarded the “Premier Prix avec Grande Distinction.” This season he looks forward to the role of Capulet in Roméo et Juliette for Calgary Opera, as well as Baron Douphol in La traviata for Pacific Opera Victoria and Morales in Carmen for Opéra de Montréal. In Thunder Bay, he will be heard in Handel’s Messiah. During the 2017/2018 season, Alexandre performed the roles of John Connally in JFK and Capulet in Roméo et Juliette, both for his home company in Montreal. He also debuted with the Seattle Symphony as l’Arbe and Fauteuil in L’enfant et les sortilèges and has been recently heard in Silent Night for Michigan Opera Theatre, as Colline in La bohème and the premiere of Les Feluettes for Opéra de Montréal, Bartolo in Il barbiere di Siviglia for Saskatoon Opera, Timur in Turandot for Calgary Opera and Mozart’s Requiem for Orchestre symphonique de Québec. Of special interest is Opera Lafayette’s Leonore project, performances of Beethoven’s original version of Fidelio and the version by Gaveaux on the same subject, in Washington and New York.

In past seasons, Alexandre has been heard in Opéra de Québec’s L’enfant et les sortilèges, as Bartolo in Edmonton Opera’s Il barbiere di Siviglia, Brahms’s Requiem with Symphony Nova Scotia, Beethoven’s Symphony No. 9 with Orchestre symphonique de Sherbrooke, Mozart’s Requiem for Orchestre symphonique de Lac St. Jean, Kevin Puts’s Silent Night for Opéra de Montréal, Brander in La damnation de Faust for Orchestre symphonique de Montréal, Haly in L’italiana in Algeri for Calgary Opera, and Colline in La bohème for Manitoba Opera.

Active on the concert stage, engagements include Beethoven’s Choral Fantasia at Festival Lanaudière, Die Schöpfung for Symphony Nova Scotia, L’enfance du Christ and Jeanne d’Arc au bûcher for Nagano and Orchestre symphonique de Montréal, Fauré’s Requiem for l’Orchestre symphonique de Trois-Rivières, Charpentier’s Messe de minuit and Haydn’s Stabat Mater with les Violons du Roy and Rossini’s Petite messe solennelle for the Taiwan National Choir in Taipei.

Additional role for Opéra de Montréal include Dr. Grenville in La traviata, Frank in La chauve-souris, de Bretigny in MANON, Sacristan in Tosca, Pietro in Simon Boccanegra, Bartolo in Le nozze di Figaro, Jack Wallace in La fanciulla del West, Nourabad in Les pêcheurs de perles, and Monterone in Rigoletto. He has sung Colline in La bohème for Calgary Opera, Schaunard in La bohème and Angelotti in Tosca for Pacific Opera Victoria, Sacristan in Tosca for Edmonton Opera and Donner in Das Rheingold with Nagano in Montreal. He has appeared with Nézet-Séguin and Orchestre Métropolitain du Grand Montréal and also took part in the premiere of a work based on the writings of Jacques Cartier for Quebec City’s 400th Anniversary. An Alumnus of Atelier lyrique de l’Opéra de Montréal, Mr. Sylvestre made his official debut with Opéra de Montréal in 2005 in the roles of Zalzal and the Chief of Police in L’étoile by Chabrier.

He has been awarded bursaries from ARAM, the Wilfrid-Pelletier Foundation, Jeunesses Musicales, was a winner at the Ottawa New Discoveries Auditions and received the Silver Medal (Voice) at the Orchestre symphonique de Montréal Competition.  

September 2018


ZalZal/Chef de la Police
Gounod Duke of Verona ROMÉO ET JULIETTE
Massenet Bretigny MANON
Mozart Count Almaviva/Figaro LE NOZZE DI FIGARO
Puccini Schaunard/Colline LA BOHÈME
  Gianni Schicchi
Prince Yamadore
  Angelotti/Sacristan TOSCA
Rossini Don Magnifico LA CENERENTOLA
Strauss, J. Frank LA CHAUVE SOURIS
Verdi Baron Douphol LA TRAVIATTA


Bach Johannes Passion
B minor Mass
Beethoven Mass in C major
Berlioz L’enfance du Christ
Brahms Requiem
Duruflé Requiem
Fauré Requiem
Handel Messiah
Haydn Nelson Messe
Pauken Messe
Honneger Jeanne d’Arc au Boucher
Mozart Requiem in D minor
Rossini Petite Messe Solennelle
Verdi Requiem

“Sylvestre’s Ponchel is definitely a bright spot to remind us that even in the midst of war, we should not forget who we are nor give up that which makes us human.” [Michigan Opera Theatre, Silent Night]
Encore Michigan, Graham Mitchell

“Sylvestre displayed real comic talent and timing, which, aided and abetted by Ramirez and Segal, made for one of the funniest music lessons I’ve seen in a while.”  [Opera Hamilton, Barber of Seville]
Opera Canada, Wayne Gooding

 Alexandre Sylvestre, another bass-baritone, nailed the role of the Sacristan, combining the kind of rich sound and comic timing we equate with a great house on a good day. Why did he not get the bravos he deserved?”
The Gazette, Arthur Kaptainis

« Brillant et divertissant Don Pasquale…Chacun possédait son personnage à fond.   Chez Alexandre Sylvestre, tous les tics du vrai basso buffo d’opéra…À ce niveau absolument professionnel du jeu correspondait en tous points celui du chant: grand timbre de basse, jusqu’au très grave, de Sylvestre. »    
La Presse, Claude Gingras

“Alexandre Sylvestre, one of many Atelier participants, was strong both vocally and histrionically as the Duke [of Verona].”
The Gazette, Arthur Kaptainis Translation

“…la courte apparition d’Alexandre Sylvestre est significative…”
La Presse, Claude Gingras

“…the short appearance of Alexandre Sylvestre is significant…”
La Presse, Claude Gingras Translation

“Voix chaude, voix qui vient du coeur, voix bien timbre…authentique comique.”
La Presse, Claude Gingras

“Warm voice, a voice which comes from the heart with a good tone…genuinely funny.”
La Presse, Claude Gingras Translation

“Il dominera d’ailleurs, par sa stature, sa voix et son aisance, la distribution de Gianni Schicchi, de Puccini.”
La Presse, Claude Gingras

“He dominated, furthermore, by his stature, his voice and his ease, the role of Gianni Schicchi by Puccini.”
La Presse, Claude Gingras Translation

“Parmi le members de l’Atelier lyrique, retenons Alexandre Sylvestre et la surprise cause dans ‘O du mein holder Abendstern’ in Wagner’s Tannhäuser.”
Res, Jacques Hétu

“Among the members of the Atelier lyrique, let us recall Alexandre Sylvestre and the surprise caused in ‘O du mein holder Abendstern’ in Wagner’s Tannhäuser.”
Res, Jacques Hétu Translation

“Alexandre Sylvestre, l’une de nos nouvelles voix les plus solides.”
La Presse, Claude Gingras


JFK at Opera de Montreal 
Bass-Baritone, Alexandre Sylestre sings the role of ‘John Connally’ in Opera de Montreal’s production of composer David T. Little’s JFK. Performances run JAN 27 – FEB 03, 2018 at the Place des Arts.


“Qui tollis” from Missa in Tempore Belli by Haydn