Soprano Catherine St-Arnaud joins the Oregon Symphony for Orff’s Carmina Burana.
Leo Hussain conducts.
Click here for more information.
Feb 25, 26, and 27 - Arlene Schnitzer Concert Hall
Soprano Catherine St-Arnaud joins the Oregon Symphony for Orff’s Carmina Burana.
Leo Hussain conducts.
Click here for more information.
Feb 25, 26, and 27 - Arlene Schnitzer Concert Hall
Baritone James Westman joins the Vancouver Symphony Orchestra for Orff’s Carmina Burana.
Jordan de Souza conducts.
Click here for more details.
February 24 & 25 - Orpheum Theatre
Dean Artists Peter Barrett, Claire de Sévigné, Justin Welsh, Rebecca Cuddy, Jacqueline Woodley, and Nathan Keoughan join Pacific Opera Victoria for the Canadian premiere of Braunfels’ Die Vögel.
The production features direction by Dean Artists’ Glynis Leyshon and conductor Tim Vernon.
February 22 - 28 - Royal Theatre
Conductor Francis Choinière, choral conductor and artistic director of Orchestre Philharmonique et Choeur des Mélomanes, Orchestre FILMharmonique & Ensemble Classico Moderne, is the winner of the $125,000 Mécénat Musica Prix Goyer 2023-2024 for Collaborative Emerging Artist.
Mécénat Musica Prix Goyer is the biggest prize of its kind in Canada and one of the largest in the world for a collaborative emerging artist in classical music.
Mécénat Musica Prix Goyer honours Jean-Pierre Goyer and his contributions to music, arts and culture in Montréal, Québec and Canada. Mr. Goyer was Chairman of the Conseil des arts de Montréal and Chairman of the Orchestre Métropolitain where he hired Yannick Nézet-Séguin as emerging conductor at the age of 25 years old.
Read the press release here.
Congratulations, Francis!
Tenor Scott Rumble joins Opera in Concert for Cherubini’s Médée.
Guillermo Silva-Marin, Director
Narmina Afandiyeva, Music Director and Pianist
Robert Cooper, Chorus Director
Click here for more information.
February 19 - St. Lawrence Centre
This weekend, Confluence Concerts presents their T’łabat'si: Copper Box concert series.
Dean Artists' baritone Evan Korbut serves as both curator and performer for this weekend of inspiration, healing, and enriching artistry.
Schedule of performances:
Lifegivers: Friday February 10th at 7:30pm,
Music is Good Medicine: Saturday February 11th at 4:00pm
Sharing our Stories: Sunday February 12th at 4:00pm
Learn more here.
Nikkei Canadian settler Teiya Kasahara 笠原 貞野 (they/them) is a queer/trans non-binary opera singer and theatre creator based in Tkarón:to (Toronto). Recently featured in the CBC short-doc OPERA TRANS*FORMED, Teiya is a graduate of the Canadian Opera Company Ensemble Studio and the 2022 recipient of the Joseph S. Stauffer Prize in Music (Canada Council for the Arts).
Heralded as “a force of nature” (Toronto Star), a “commanding presence” (Theatre Reviewer), and “an artist with extraordinary things to say” (The Globe and Mail), Teiya has nearly 20 years of experience singing both traditional and contemporary operatic roles across North America and Europe. Highlights include engagements with the Canadian Opera Company, Edmonton Opera, Vancouver Opera, Vancouver Symphony, Toronto Symphony, Windsor Symphony, Against the Grain Theatre, Aalto-Essen Musiktheater (Germany), Opéra Toulon, Tapestry Opera, the Luminato Festival with Beverley Glenn Copeland, and Theatre Gargantua, among others.
For the 2022/2023 season, Teiya is a resident artist with re:Naissance Opera’s Indie Fest, developing new works including Imaginarium; Inferno, a new hip hop opera by Omari Newton and Amy Lee Lavoie; a live computer animated performance of Eurydice: Into the Underworld; and a concert with BIPOC Voices. They are also covering the title role in Salome with the Canadian Opera Company, and returns to the COC to perform the Priestess & Bartender in the premiere of Marshall and Hale’s Pomegranate later in the season. They will also be seen singing the soprano solo in Beethoven‘s Symphony No. 9 (Kingston Symphony Orchestra) and Orff’s Carmina Burana (Amadeus Choir). Upcoming engagements also include Japanese opera Nae by Kokichi Kusano, a new opera by composer Rita Ueda, and video opera The Future’s Market by Douglas Rodger and Kong Kie Njo.
Click here to learn more about Teiya or head to their website here.
Dean Artists Jonelle Sills (Helena), Peter McGilivray (Bottom), and Neil Craighead (Theseus) join the Vancouver Opera for Britten’s A Midsummer Night’s Dream.
Jacques Lacombe conducts with stage direction by Aria Umezawa.
Click here for more.
February 11, 16, 19 - Queen Elizabeth Theatre
Tenor Andrew Haji joins the Kitchener-Waterloo Symphony for Verdi’s La traviata.
Andrei Feher conducts, with Daniel Isengart as host & stage director.
Click here for more information.
February 11 and 12 - Centre in the Sqaure
Conductor Andrew Crust joins the Vermont Symphony for VSO at the Flynn: Electric Dreams.
Andrew makes this appearance as a part of their music director search.
Click here for more information on the program.
Congratulations to Dean Artists conductor Simon Rivard on his appointment as Music Director of the Edmonton Opera - the first ever in the company's history!
Simon looks forward to conducting all three of EO's mainstage productions this season, following his success at the podium in their productions of Puccini's La Bohème and Tosca (both 2022).
To read more about Edmonton's exciting 23/24 season plans and Simon's directorship, head over to their website.
Conductor Julien Proulx joins Orchestre Symphonique de Laval for “La plume portée” - a program of Ravel, Rimsky-Korsakov, and Tchaikovsky.
Learn more about the program here.
February 4 - Salle André-Mathieu
Dean Artists Michael Colvin, Vartan Gabrielian, Adam Luther, and Owen McCausland join the Canadian Opera Company for Salome.
COC Music Director Johannes Debus conducts with direction by Atom Egoyan.
Click here to learn more about the production.
February 3 - 24 - Four Seasons Centre
Congratulations to Dean Artists bass Alain Coulombe who is a 22/23 nominee for the Ontario Arts Council’s prestigious Paul de Hueck and Norman Walford Career Achievement award.
The awards recognizes established Canadian artists for their significant contributions, nationally and internationally, to the field of classical singing.
An incredible nomination to honour Alain's 30+ year performance career!
Click here to learn more about the award on the OAC’s website.
Canadian mezzo-soprano Lillian Brooks has been praised for her “lyric sound” (Ludwig van Toronto), “easy handling of coloratura” (Schmopera), and has been noted for her “wonderful sensitivity to story and the development of song,” (FYI Music). During the 2023 season, Lillian will appear with chamber ensemble InnerCHAMBER (Stratford, ON), for an intimate performance of Mahler’s Ruckert Lieder and returns to Chorus Niagara in March 2023 for Beethoven’s epic oratorio, Missa Solemnis. To close out the season, Lillian will be seen performing the role of Mrs. Anderssen in the Royal Conservatory Presents: A Little Night Music (Sondheim), alongside a star studded all-Canadian cast.
Lillian made her professional debut in 2015 singing Mozart’s Requiem with Chorus Niagara, under the baton of Robert Cooper. Her love of oratorio and concert works has continued to grow, as she performs as a soloist in repertoire such as Handel’s Messiah and Dixit Dominus, Bach’s St John Passion and St Matthew Passion, Vivaldi’s Gloria, Durufle’s Requiem, Mahler’s Das Lied von der Erde, and the Canadian premieres of both Last Light Above the World by Alan Bevan and The Cross of Christ by Romulo Delgado. Equally at home on the operatic stage, her past roles include Bradamante in Alcina, Annio in La clemenza di Tito, Third Lady in Mozart’s The Magic Flute, Flora in La Traviata, and Cherubino in Le nozze di Figaro.
Lillian’s musical journey has led to numerous accolades for her dedication to the craft. In 2015, she was awarded the prestigious Hnatyshyn Foundation Developing Artists Grant, while graduating cum laude from York University, where she studied with Canadian mezzo-soprano Catherine Robbin and earned first prize in their annual Concerto Competition. Brooks received her Artist Diploma Program in Vocal Performance from the Glenn Gould School in 2017 and went on to participate in the Calgary Opera Young Artists Program and the Britten-Pears Young Artist Programme in Aldeburgh, UK, where she studied with internationally acclaimed faculty including Matthew Rose and Anne-Sofie von Otter.
Click here to learn more about Lillian or head to her website here.
Mezzo soprano Megan Latham (Marcellina) and tenor Michael Colvin (Don Basilio).
Harry Bickett conducts.
A special shoutout to Dean Artists’ Vartan Gabrielian who covers Figaro.
Click here to learn more.
January 27 - February 18
Sarah Dufresne, soprano, makes a role debut at the Royal Opera House, appearing as The Shepherd in Wagner’s Tannhäuser.
Sebastien Weigle conducts.
Click here to learn more.
Sarah is a part of ROH’s Jette Parker Program.
January 29 - 16 February
Soprano Lara Ciekiewicz is joined by pianist Michael Oike for a recital for Little Opera Company of Winnipeg.
Their program, “Refuge”, features the works of Britten, Duparc, Emery, Gordon, Guettel, Puccini, and Strauss.
Click here for more.
January 22 - St. Andrew's River Heights United Church (255 Oak Street).
Conductor Julien Proulx joins Orchestre Symphonique de Sherbrooke for their program - LES GRANDES MUSIQUES DE FILMS
Click here for more.
January 21, 2023
Dean Artists Andrew Haji (Rodolfo), Sydney Baedke (Musetta), Justin Welsh (Schnaurd), and Tom Goerz (Benoit/Alcindoro) join Orchestre Philharmonique et Chœuer des Mélomanes.
Conductor Francis Choinière leads as Artistic Director of OPCM.
Click here for more.
January 20th, 2023 - Maison Symphonique
500A Bloor St W, Toronto, ON M5S 1Y3, Canada
Toronto: 416-969-7300 / New York: 917-829-2911